Friday April 20

Another group of days as a flaneur, this time with my daughter.  In her twenties, she, like me had lived in Paris, but she stayed longer, five years.  However, the day did not begin well.  We walked to her Airbnb in Les Gobelins neighborhood: it was a long walk without much charm much like the studio she had chosen.  After a disappointing tour of the kitchen and bathroom, we agreed she would pick me up at the Irish College.   From there, we would walk to Les Enfants Rouge, a restaurant in the Marais where she had made reservations.

In between, I searched for alternative accomodations.  When she arrived, she said the walls were so thin, she could hear people turning on the water taps in the next apartment.  We looked at the possibilities and decided the best choice was my old stomping grounds,  Grand Hotel des Balcons in the Odeon.

The day improved with an excellent meal at Les Enfants Rouge.  As we were both tired, we decided to get a cab, go directly to her Airbnb, get her bags, and back to Odeon to check in.  Malheuresment, we forgot that the code to the building was on my daughter’s phone which was charging in my room.  Back to the Irish College, back to the studio in Les Gobelins,  and then, finally, Grand Hotel des Balcons on Rue Casimir Delavigne.

I’ve stayed in the hotel so often, walking in felt like home.   Her room was much bigger than the monk’s cell where I usually bunk.  She jumped for joy at the view, the quiet room, and spacious bathroom that would be home for the next few days.

Making my way back to the Irish College  on Rue Monsieur-le-Prince, I saw an well known restaurant, Le Polidor (seen in Woody Allen’s movie, Midnight in Paris), a small marche still open, a Moroccan and a Vietnamese restaurant.  Except for The Polidor, none were familiar even though I’ve spent many an hour on this street in the San Francisco Book Company.

 

Today, we walked 11 miles and spent an hour and a half in a cab.

Saturday April 21

We both love the department store, Bon Marche on Rue de Sevres.  As soon as we entered, looking at the produce was a priority.  Although more beautiful than any other display of fruits and vegetables, this time it did seem smaller.  Now there are large sections devoted to prepared foods.

Next, we meandered up to the top floor, our special treasure, the notions department.  We wandered through the designer clothes, my prefence being Valentino, her’s Sonia Rykiel.

We both liked a beautifully made white jacket.  Tres tres chere. And, finally, the piece de resistance, the top floor and the notions department.  In order to look at buttons, one must get a sales person who will don gloves to retrieve them from a display case. And the ribbons, c’est formidable.  We found the staircase but no notions. Where could that department be?

Il n’exist pas.  Maintenant, a toy department, an excellent toy department, but not the notions that took one back in time where each item, not matter how small, was valued.

Downstairs, we grabbed salads to eat down the street at Square Boucicaut named after the founder of Bon Marche.  An interesting encounter between two citoyens francais took place on the bench next to us.  A woman who appeared to be homeless given the amount of gear she had with her sat quietly.   Not far from her sat a man who began to batter her with questions.  Why did she have so many bags?  Where was she going?  Why was she wearing a coat when the day was so warm?  She mumbled and sometimes answered but often turned away.  Finally, he left.  She departed soon after.  Another man noticed she had dropped a sweater which he handed to her.  She thanked him, and on her way out, tossed it in the garbage bin.

My daughter had dinner plans, so we made our way back to Odeon, stopping at her favorite stores to look at lovely clothes and beautiful shoes.

 

April 19

The walk to the Alliance Francaise each morning fills my eyes with a palette of spring while air, fresh and sweet, embraces my skin. I must come some morning, to sit in these chairs, to read, – a little bit of heaven.

It is time to leave Agnes to her own devices and turn towards Duras.
The street where she lived for over 50 years, Rue Saint Benoit, doesn’t resemble what she encountered every day.  Certainly, Restaurant Le Petit Saint Benoit looks more up scale than it did in photos from the 1940’s except, perhaps, the inside.

In her memoir of WWII Paris, La Douleur or The War, Duras wrote,

“I get up and lean my head against the windowpane.  Down below is the Saint-Benoit restaurant, full up, hive of activity.  They’ve got a secret menu for those who can pay.”

The last time I passed by the restaurant, it wasn’t a “hive of activity.”  Today, I will see if I get a secret menu.

To get there from the Alliance on Blvd Raspail, I walk down Rue de Rennes, excellent for window shopping.  As I reach Blvd St. Germain, a Monoprix.  My daughter said it’s a good one, and she wasn’t wrong: even the clothes attract the eye.   C’est mieux.

By one, I’ve reached the restaurant.  Only a few outside tables are in use.

A lively waitress seats me, gives me the menu, and when she returns, we discuss my order.  I want some grenouilles or frog’s legs.  No, she says, I can’t  order just one entree.  Can I order two, for instance, the frog’s legs with the salad d’endive?  No, I can order one from the list of entrees, the first course, and one from “the plats,” the second course.  I select risotto aux asperges for my required second course.  Then, we choose the wine.  She discourages my choice and suggests a more expensive one which she assures me is much better.

She writes the courses down on the paper tablecloth and quickly returns with the salad d’endive. I tell her, no, I ordered the grenouilles.  She shows me she has written down the salad.  I tell her she misuderstood and I want the frog’s legs.  She acquiesces but not happily.

The sun has moved and I’m engulfed in hot air.  I ask to move.  A problem as she has to move the paper tablecloth to another table.  She does it.  Ten, fiften minutes pass, no grenouilles.  Luckily, I unwitttingly ordered an entire bottle of wine and can pass the time getting buzzed.  The owner or manager sympathized with me and apologized for the delay.

Finally, they arrive. Pas bon. They must have been frozen, microwaved, then, deep fried. Next the risotto- very good.  As I ate I glanced across the street at 5 Rue Saint Benoit and wondered what window Duras had pressed her head against.  I watched the other diners interacting with the waitresses and noticed they were having a different experince than moi.

They were told the menu du jour, news to me, were asked if they would like water, I had to ask for it, and were given a selection of desserts not offered to me. Perhaps this was my secret menu, the one reserved for Americans that don’t speak bien Francais.  Duras would have cheered me on: she could put up a good fight when she felt her rights were ignored.

April 18

After my class at the Alliance Francaise, I walked over to Rue Daguerre.  It would be a last look as it was time to move on to Marguerite Duras.  I went a different route and found my way up Rue de la Gaite filled with theaters and maybe 20 creperies.  Pourquoi?

I came upon Rue Daguerre at the very end where it butts against Avenue du Maine.  I had read there was a cinema devoted to Agnes Varda, Cine-Tamaris, close by.  At least I could get inside and see what they had to offer.  I found the right number but the building was shut tight.  As I glanced down the street, there she was, Ms. Varda, carrying her groceries.  I became so excited I hardly had time to hit my phone in time to capture her image.

To get stay close to her, I ate at the Vietnamese restaurant next to the building she had entered.  I had a beer and a good pho.

I wasn’t ready to leave her, so I went across the street to a vegan tea cafe and sat outside with bergomot tea. The air was just the right temperature, cool but not cold, the sun warmed my feet.  Je suis content.

Then came the doubts.

I had hoped this experiment of looking for three women artists I admired would inform, enrich, but maybe I was nothing more than a zealous fan, invasive and intrusive.  I published the photo I took of Agnes Varda on Instagram but regret my actions. To take her photo where she can expect to have it taken, in the lobby of IFC, passes muster, but snapping a photo where she expects privacy does not.  Perhaps this is why some tribes believe a photograph captures the soul.

I walked home through Cimitiere Montparnasse looking for Marguerite Duras.  I searched up and down the designated row but no success.  Am I being punished?