Day 3

Sunday March 15

The Ides of March.  Will I be betrayed or will I do the betraying?

Woke up weeping.  My blind cat, Milo, bumping into walls, walking in circles, looking for direction saddens me.  Really, it’s my pre-lock down life I’m lamenting.  I had just settled in to Dublin, had had a reprise from lingering ennui, the consequence of trying to write a book going nowhere.  Then, it was over.  Now, I’m home, untethered from that resolve and peace.  And like Milo, lost my way.

 

The maintenance of the house assaulted me- weeds, kitty litter, taxes.  A fog has descended on my brain.  I wandered from room to room looking, looking for what?  To get hold of myself, I listed what I had done by 1:15 P.M.: fed Milo, cleaned the litter box, took out recycling, filled out the census, had breakfast, read the newspaper.  Eating breakfast outside and reading the Sunday New York Times tricked me into thinking all was well: life hadn’t changed.  I wondered if I could put a vegetable garden in the front yard.

On the plane ride from Ireland, I considered growing potatoes.  Years ago, I had had a garden that included a long row of red and yellow “pommes de terre.”  Sinking my hands into the dirt, pulling out them out, holding them, eating them was deeply satisfying.   Associations to the potato- my Irish grandmother ate one every night for dinner, her mother emigrated to the states, an indirect consequence of the great potato famine in Ireland.  The poor relied on the potato for daily sustenance.  Since it provides many of the necessary amino acids, it is referred to as the perfect food.  When the potato blight hit Ireland, the British ignored the problem.  Starvation and homelessness were rampant.  Wouldn’t it be wise to grow a “perfect food” during a pandemic?

Yet as the day wore on, I didn’t work on my taxes or pay my bills or do the laundry.  Couldn’t pull all the threads together.

Like many people, I end my day reading in bed.  As a way of  “returning” to Dublin, I picked up Deirdre Bair’s biography of Samuel Beckett.  It should last a good long time, almost 800 pages.  Although he was a Dublin upper middle class Anglican and my family were Catholic tenant farmers from the hinterlands of Roscommon County, I hoped I might make a connection with my projected book, a mix of ancestral biography, history, anthropology, sociology, and maybe fiction.  I’ll grasp at any straw.  Instead he seems to be buoying me up, out of self-flagellation, however, briefly.  His struggle with writing, sometimes only getting a few pages done in many weeks, redeems me.  A colleague, another tortured nonprolific writer.

Unknown

Paris Day 15 and 16

Saturday, February 29

This morning I woke up exhausted after a good night’s sleep.  Do I have the corona virus or is it the ennui I seem to carry around?  Usually it dissipates after breakfast with the residents.  Today, overwhelmed by fatigue, I spent the day in bed and didn’t join the three women for dinner.

I tell myself there will be days of isolation and loneliness.  But why is it’s happening now?  I have stimulating conversations every morning, gatherings with artists in the evenings.  Although I have dinner alone each night, I’ve been very engaged.

IMG_7479                                                                 The last bouquet

I read my blog on Greece, written five years ago on the verge of a Fulbright.  I describe two days of staying in my Athen’s hotel room emerging only for a meeting one day and and a souvlaki the next.  Ennui is no stranger to me.   My expectations set me up for self-doubt.  I romanticize those that seem to have found their place especially the Bloomsbury group whose work I devoured many years ago, in particular,  Virginia Woolf.   Her country home with her writing shed surrounded by beautiful gardens, long walks along the downs, afternoons with writer’s and painters reading, discussing.  But like Samuel Beckett, she endured days of doubt, of mental anguish and, then, a swing to elation.  Her solution was suicide.  Perhaps, my urge to live on an island is a strategy to force me back on myself, to find my place.

Sunday, March 1

Today I feel alert, confidant, at home in Paris.  God, these extremes are exhausting.  

For my last full day in Paris (I leave for London tomorrow) I plan to have Sunday lunch at La Rotessirie d’Argent.  It faces the Seine two doors away from the famous Tour d’Argent, and next door to it’s bakery, Le Boulanger de la Tour.  I pass by frequently crossing the Pont de la Tournelle over to the right bank.  One day, I stopped to buy mini croissants.  Ils etaient parfaits.  The idea of eating roast chicken on a Sunday afternoon is part of a long tradition of Sunday dinner with Maman in which I long to participate.

UnknownLa Rotisserie d’Argent

On my way to breakfast one of the administrators of the Centre Culturel Irlandais caught up with me and asked if I still planned to attend the book club she had mentioned when I first arrived.  I thought I could  fit it in with my roast chicken.  But this was no intimate group meeting for an hour, this was a formal meeting known as Cercle Litteraire Irlandais (Irish Literary Circle) lasting three hours with drinks, food, a program and over 100 attendees.  There were speakers including Deirdre Farrell, Deputy Head of Mission at the Irish Embassy in Paris, and Lara Marlow, France correspondent for The Irish Times, as well as mediatations, readings, and even a group writing exercise.  It was a celebration of International Women’s Day.

Lara Marlowe in her keynote address discussed three women who inspired her: Iranian Nasrin Sotudeh, French Berthe Morisot, and American Edith Wharton.  All three defied their respective roles: Sotudeh, a lawyer, represented women who refused to wear the hijab, Morisot became a well-respected painter, the only women to exhibit in the first impressionist show in 1874, and Edith Wharton wrote novels becoming the first woman to win the Pultizer Prize for Literature in 1921 instead of being a doyenne in her privileged social circle.  My question to Ms. Marlowe was where are the Irish women of the 19th century without upper class privileges who fought against stereotypes to become artists in their own right.  She and the audience were stumped.

images   Nasrin SotudehUnknown-1Berthe Morisotimages-1Edith Wharton

 Then we were asked to write about a woman we admired.  I chose Molly Daly, my grandmother.  She lived in Ireland for 13 years without her mother.  She returned to the United States only to be teased relentlessly about her brogue.  She married an alcoholic whose family thought she was “shanty Irish.”  When he died leaving her with two children to raise, she often brought in family members who had no where else to go.  When her children married, she moved in with them usually with no room of her own, sleeping on a daybed in the dining room.  And she never complained.  Her solace, reading her prayer book and saying her rosary.

IMG_7779

Molly Daly on the right